rainy night street image prompts

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martin ansin style, light green and light emerald green, john lennon full physical height, handsome man, solarizing master, y2k aesthetic, dark pink and green, magali villeneuve rainy night, front of a lofi cafe illuminated with hyper cyberpunk neon lights, 68 model mustang model car, a very handsome anime man leaning on the car listening to music with headphones, high quality soundscape, wide angle and long shot, full scene, 1920x1080 --stylized 750 Composition optimized for a 9:16 aspect ratio.

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A cinematic movie-still portrait of a young man standing in the middle of a bustling futuristic night market drenched in rain. Neon shop signs cast vivid magenta and teal reflections on wet cobblestones, while airborne hover vehicles drift between towering sci-fi skyscrapers above. He wears a heavy utilitarian duster coat with rain droplets visible on the fabric. Three-point lighting with subtle film grain, rich atmospheric fog, shallow depth of field, 35mm film aesthetic, 2:3 aspect ratio.

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An ultra-wide cinematic establishing shot captured from an extreme distant perspective of roughly 200 meters using a 24mm lens on a professional cinema camera, set on an empty, rainy city street at night. A modern glass bus shelter stands in the mid-background, radiating a soft pink neon glow that reflects across the glossy wet asphalt alongside distant streetlights, dark trees, and light atmospheric mist. A solitary man matching [face reference] and [body reference]—wearing glasses and showing a defined profile and natural physique—walks slowly from the right in a full right-side profile view, appearing diminutive against the vast, atmospheric urban landscape. The composition prioritizes deep environmental scale, cinematic isolation, and authentic film texture with grounded realism, presented in a vertical 9:16 aspect ratio.

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